Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Anders Zorn
Unknow work 19

ID: 31412

Anders Zorn Unknow work 19
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Anders Zorn Unknow work 19


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Anders Zorn

Swedish 1860-1920 Swedish painter, etcher and sculptor. He was brought up by his grandparents at Mora. As he displayed a precocious talent for drawing he was admitted to the preparatory class of the Kungliga Akademi for de Fria Konsterna, Stockholm, at the age of 15. Dissatisfied with the outdated teaching and discipline of the Academy and encouraged by his early success as a painter of watercolour portraits and genre scenes (e.g. Old Woman from Mora, 1879; Mora, Zornmus.) Zorn left the Academy in 1881 to try to establish an international career. He later resided mainly in London but also travelled extensively in Italy, France, Spain, Algeria and the Balkans and visited Constantinople. However, he continued to spend most of his summers in Sweden.  Related Paintings of Anders Zorn :. | Unknow work 73 | Unknow work 126 | jean- baptiste faure | Utsikt fran Skeppsholmskajen | Unknow work 120 |
Related Artists:
George John Pinwell,RWS
1842-1875 English illustrator and painter. He was born in humble circumstances and was largely untrained. He was briefly a student at St Martin's Lane Art School and at Heatherley's. From 1863 he contributed woodblock illustrations to magazines, establishing his reputation in 1865 with the Dalziel brothers' editions of The Arabian Nights and The Works of Oliver Goldsmith. Pinwell's finest drawings were commissioned for the Dalziels' poetry gift-books. With another illustrator, John William North (1842-1924), he worked at Halsway Manor in Somerset in 1865, experimenting with formal effects based on the structure of stone farm buildings or on the wooden beams of barn interiors (his drawings do not seem to have survived). Some of the illustrations for A Round of Days (1866) and Wayside Posies (1867) present an ideal vision of the countryside, but a vein of social concern is also present. In The Journey's End, from Wayside Posies, a strolling player lies dead, worn out by hardship and hunger. For an illustrated edition of Jean Ingelow's Poems (1867),
Susan C Waters
1823-1900 Susan C Waters Gallery
Elizabeth Shippen Green
American Golden Age Illustrator, 1871-1954 was an American illustrator. She illustrated children's books and worked for many years for Harper's Magazine. Green studied with the painters Thomas Anshutz and Robert Vonnoh at the Pennsylvania Academy of Fine Arts (1889-1893). She then began study with Howard Pyle at Drexel Institute where she met Violet Oakley and Jessie Willcox Smith. Life was made for love and cheer; Watercolor and charcoal on board, Harper's Magazine, September 1904She had already begun publishing when she was eighteen and began making pen and ink drawings and illustrations for St. Nicholas Magazine, Woman's Home Companion, and the Saturday Evening Post. In 1911, she signed an exclusive contract with Harper's Monthly. Green was also a prolific book illustrator. Green became close and lifelong friends with Oakley and Smith. They lived together first at the Red Rose Inn (they were called the Red Rose girls by Pyle) and later at Cogslea, their home in the Mount Airy neighborhood of Philadelphia. In 1911, Green married Huger Elliott, an architecture professor.






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